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Notes: Note the spelling of the feminine gentilicium, latini, with the letter theta, laθini.

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Notes: The text appears to be a funerary inscription. The editor suggests the following interpretation: σ(e)θ(re) aspa ⅩⅬ.

Notes: The editor suggests that the feminine gentilicium in line 1 can be restored as [v]elcial or as [f]elcial. The latter is well documented as a name at Tarquinia in the 4th and 3rd century B.C.

Notes: The inscription was painted in black letters on the cask of the urn. The morphology of the urn points to Chiusi as the place of origin.

Notes: The inscription, of which only traces remain, was painted along the upper border of the cask. The reading suggested by the editors is possible, but speculative.

Notes: The letter ê with diacritic represents an epsilon that is written retrograde with respect to the direction of writing.

Notes: Punctuation is in the form of three puncts aligned vertically.

Notes: The inscription was incised in spiraliform ductus.

Notes: Note the spelling of the vowel /u/ by means of wau.

Notes: The editor restores the beginning of fragment as [cl]an 'son'.

Notes: The form of the punctuation between the first name and the last is uncertain. This inscription was incised in the same tomb chamber as ETP 48.

Notes: This inscription was incised in the same tomb chamber as ETP 47.

Notes: The text was painted in black on the wall of chamber 1 in the Tomba dell'Orco. The editor suggests that the name in line 1 may be restored as vel[θur] or as vel[χa]. The number LI refers to the age of the deceased.

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Notes: The final letter of the first name of the deceased, which was partially damaged by a break in the stone, appears in line 2.

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Notes: The stone was squared off and placed in the wall of a convent. Possible restorations for the first word are [vene]lus and [θanaχvi]lus, both genitive singular forms. How cles[ - - - ] is to be restored is unclear.

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Notes: The funerary inscription is in the form of an elogium.

Notes: The text, which details the political career of the deceased (cursus honorum), is painted in black over an earlier inscription that it obliterates. Bibliography:

1. Cavagnaro Vanoni, L. 1996. Tombe tarquiniesi di eta ellenistica. Roma.

For discussion of the inscriptions see Appendix II by M. Pandolfini Angeletti, pp. 371-374.

Notes: This text was painted in black. It seems likely that this text presented the cursus honorum of the deceased.

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Notes: The inscription was painted on the urn. The urn is of a type common at Chiusi and environs.

Notes: The inscription was painted along the upper border of the urn. The urn belongs to a type produced at Chiusi.

Notes: The inscription was painted along the upper border of the urn. The urn belongs to a type that was produced at Chiusi.

Notes: The inscription was painted in red letters that run along the upper border of the cask. According to the editors, the text may be restored as l[θ l]atin[i n]am[uθ]nal. However, the editors do not indicate the length of the interval between the l and the a at the beginning of the text. The urn belongs to a type that was produced at Chiusi.

Notes: The inscription was painted in black letters running along the upper border of the cask. According to the editors, the praenomen and gentilicium could be restored as [lar]θ[i] : calis[nei – – –]a : velθur[ials].

Notes: The urn is of Chiusine production. The inscription was painted in red along the upper border of the cask.

Notes: The inscription was painted in red along the upper border of the cask.

Notes: The urn is of Chiusine production. The inscription was painted in red along the upper border of the cask.

Notes: The inscription was incised in dextroverse direction on the belly of the pitcher. The editor questions the authenticity of this text.

Notes: The inscription was incised along the inside rim of the neck of the pitcher.

Notes: The urn is of Chiusine production. The inscription was painted in red along the upper border of the cask and then it turns runs down along the left side. The editor suggests the following restoration of the text as one possibility: [l]θ[: la]uca[ne : la]ucumsnal : l ca[ i ]a : [pui]a :

Notes: The urn is of Chiusine production. The inscription was painted in red along the upper border of the cask. The editor notes that the praenomen of the deceased could also be restored as [h]aσti.

Notes: The inscription was painted in two lines on the cask of the sarcophagus.

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Notes: av and al were written as ligatures.

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Notes: The cippus is now lost. The inscription is mentioned a manuscript in the Vatican Library (codex Latino Vaticano 9773) from the year 1833.

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Notes: The urn belongs to a type common at Chiusi. The metronymic could also have the form vetna[liσa].

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Notes: The form of the urn is Chiusine. The inscription was painted in red letters. The editor notes that personal name could also be haσti.

Notes: The inscription was painted on the upper border of the cask of the urn. The final letter of the inscription, l, was painted in the left margin.

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Notes: (a) was painted in black along the border of the cask of the urn. (b) was incised over it. The family name of the deceased in (a) could also be re[m]n[i]. The urn is of a type common at Chiusi.

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Notes: The sibilants /s/ and /š/ were spelled as sigma.

Notes: The sibilants /s/ and /š/ were written as sigma.

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Notes: The inscription was written in dextroverse direction in Latin letterforms. vel is twice written as a ligature. The o of velosa is very small. It appears to have been erroneously omitted and later inserted between l and s.

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Notes: Line 3: ne is an abbreviation for the metronymic. The editor suggests ne(vtnial), ne(mtinal), or ne(vrnial).

Notes: The inscription was painted in red letters along the upper border of the cask. The urn is a type common at Chiusi.

Notes: The inscription was painted in black letters along the upper border of the cask. Single punctuation points are visible, but their elevated position suggests that they were originally double points ( : ).

Notes: The inscription was painted in red letters along the upper border of the cask. The urn is a type common at Chiusi. The feminine gentilicium could be restored as f[r]a[u]nei.

Notes: The inscription was painted in red letters along the border of the cask. The urn is a type common at Chiusi.

Notes: The inscription was painted in black letters along the border of the cask. The urn is a type common at Chiusi.

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Notes: Feminine genitive singulars ending in plain -l are rare. The editor proposes two ways to emend: (1) Expunge the final -l, in which case the onomastic phrase has zero inflection. At Volsinii onomastic phrases in funerary texts are typically rendered in casus zero. (2) Emend the genitive form to -(a)l and read as cemni(a)l.

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Notes: Inscription (a) was incised vertically along the trunk; (b) was incised within the incense holder. Both were written in sinistroverse direction.

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Notes: Half of the letter theta in σuθ[i] survives. It has the shape of a circle. The oblique bar of the lambda of zatneal is no longer visible.

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Notes: The editor notes that the family name could also be restored as is[nas].

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Notes: The inscription was inscribed in a spiral up around the upper part of the conical base of the kyathos. The /s/ of paiθin[a]σ is represented by the letter san. The reconstruction of mlak[aσ] as a genitive in agreement with the gentilicium paiθin[a]σ does not make sense syntactically. Reconstruction as a pertinentive, mlak[aσi], with an interpretation along the lines of "to a good (man)" seems much more likely.

Notes: Colonna describes the /p/ as having a hook, and writes that the /q/ has a very small circle.

Notes: Spacing between the words.

Notes: Found inscribed vertically on the handles of four bucchero kantharoi on high pedastals.

Notes: Right-handed cup found on a high pedastal in the tomb of a child.

Notes: Found near the via Cavallegeri, a dwelling at the entrance to a stone circle. The last eight letters of the second inscription were written in a straight, upright fashion. The theta, specifically, is angular, and the rho has an asymmetric curve.

Notes: Written circularly on the inside of the vessel.

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Notes: Found at outside of tomb belonging to a man 25-30 years old near stone circle. Bucchero cup with receding hem.

Notes: Found at the tomb of a woman about 60 years old. The first inscription is on the body of the vessel and is writting in a continuously expanding script. The second inscription is written on the bottom in very small letters and in different hands, suggesting that it may be very old. The theta is crossed.

Notes: Found above tomb 2720 at Pontecagnano.

Notes: Belonged to a woman of 45-55 years of age. The inscription was carved on the inside in a long curve around the edge. The theta has a vertical cross, and the second /i/ was added as a pseudoligature to the /r/.

Notes: The theta is pointed.

Notes: This piece was found in the same site as PC 6, at a dwelling near the via Cavalleggeri.

Notes: The kylix lacks a lip. The third /u/ could be another /l/. The inscription was written circularly around the inside of the vessel.

Notes: The kylix lacks a foot and a handle. Its precise origin is unknown, although P. Laveglia suspects Salerno. The inscription was written on the inside of the vessel in a spiral near the edge.

Notes: A single-handled cup with the surviving straps. The inscription was written dextroverse on the outside of the vessel. /m/ was written slanted and /e/ was written horizontally.

Notes: A single-handled cup with the surviving straps. The inscription was written dextroverse on the outside of the vessel. /m/ was written slanted and /e/ was written horizontally.

Notes: Has the same origin as PC 18 (Colonna). The inscription was written upside down on the outside of the bowl, pressed into the base.

Notes: Hemispherical kylix. The inscription was written in a circle around the foot of the vessel.

Notes: Meagre fragments of a wall. Same origin as PC 18 (Colonna).

Notes: Hemispherical kylix, from tomb 2955 in a necropolis in the Risorgimento plaza. The inscription was carved on the outside within a ring of stone. Colonna remarks that it is unlikely raiśiis has the reading raimis.

Notes: Hemispherical kylix, from tomb 2955 in a necropolis in the Risorgimento plaza. The inscription starts on the outside at the base of the vessel and continues into a ring of stone. Colonna (1994) writes that minanatis is likely a misspelling of mina[na]tis.

Notes: Sister of the last bowl, found in the same tomb. The inscription is on the outside and crosses in and out of the ring of stone. The /c/ is moon shaped and the /i/ was added as a pseudoligature.

Notes: Small Attic bowl with a concave-convex wall. The inscription was written dextroverse on the outside of the vessel.

Notes: Wine amphora from Marseilles found in the same tomb as PC 26 (Colonna). The inscription was written on the neck of the vessel after it was fired.

Notes: Small bowl with a stone base. The inscription was written on the inside of the vessel in a circle.

Notes: Two small bowls with stone bases. The inscriptions were written on the inside of the vessels in a spiral and in different hands. The bars of the /w/ are very close together.

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Notes: The /t/ crosses horizontally, and the /l/ is a mess.

Notes: Two small bowls with stone heels. The inscription was written on the outside in a circle below the stone. The /t/ and /l/ were laid down backwards.

Notes: The inscription was written on the outside of the vessel.

Notes: Bowl with a receding lip from the same tomb as FS 1 (Colonna). The inscription was written on the outside around the base, upside down.

Notes: The inscription was written dextroverse on the body of the vessel below the attachment of the handle. It is probably a numeric sum or code.

Notes: The inscription was written around the body of the vessel.

Notes: The inscription was written on the inside of the vessel.

Notes: The inscription was written on the inside of the vessel.

Notes: The inscription was written on the inside of the vessel.

Notes: The inscription was written on the inside of the vessel.

Notes: The inscription was written on the inside of the vessel. Another possible reading of the graffiti is ar.

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Notes: The inscription was written on the outside of the vessel. The alpha is not crossed.

Notes: The inscription was written dextroverse on the inside of the vessel.

Notes: Two flat plates with furrowed edges. The inscription was written on the inside of the vessel.

Notes: The bowl has a receding edge. The inscription was written in spiraliform starting from the center of the vessel, and the letters themselves are tall and thinly etched.

Notes: The first two letters run into an /e/, as if the scribe had started to write eta instead. The first /a/ also gives a false start to the /p/.

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Notes: Found at the temple of Apollo. Inscription was written on the outside of the vessel.

Notes: Found at the temple of Apollo. Inscription was written on the outside of the vessel.

Notes: Found at the temple of Apollo. Inscription was written on the outside of the vessel.

Notes: Found at the temple of Apollo. Inscription was written on the outside of the vessel.

Notes: Found at the temple of Apollo. Inscription was written on the outside of the vessel.

Notes: Base of a cup. The /m/ in the inscription is missing the first two peaks. It could be a χ originating from the center of the cup, or it could also be a θ.

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Notes: The fragment is the base of a bowl, and the inscription was written on the outer side. It could possibly be a division or interpretation of cla[vtie] curt[e]. M. Bonghi Jovino considers the possible connection between the Oscan reading glav urt.

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