Notes:

Notes: Four figures incised on the mirror represent the return of Meleager after the hunt for the boar of Calydon. Alθe is perhaps an abbreviation for Alθea, the mother of Meleager. φurθ is an abbreviation that refers to the grandson of Meleager. The editor recommends that it be completed as φurθun.

Notes: The inscription was painted in black letters on the cask of the urn. The morphology of the urn points to Chiusi as the place of origin.

Notes: The inscription, of which only traces remain, was painted along the upper border of the cask. The reading suggested by the editors is possible, but speculative.

Notes:

Notes:

Notes: Although the find spot of this inscription is unknown, there can be no doubt that the provenance is Vulci. The final word in the text is the locative form of the name of the city, velclθi = 'in Vulci'.

Notes: The words in this inscription are separated by four puncts aligned vertically.

Notes: The inscription was painted on the urn. The urn is of a type common at Chiusi and environs.

Notes: The inscription was painted along the upper border of the urn. The urn belongs to a type produced at Chiusi.

Notes: The inscription was painted along the upper border of the urn. The urn belongs to a type that was produced at Chiusi.

Notes: The inscription was painted in red letters that run along the upper border of the cask. According to the editors, the text may be restored as l[θ l]atin[i n]am[uθ]nal. However, the editors do not indicate the length of the interval between the l and the a at the beginning of the text. The urn belongs to a type that was produced at Chiusi.

Notes: The inscription was painted in black letters running along the upper border of the cask. According to the editors, the praenomen and gentilicium could be restored as [lar]θ[i] : calis[nei – – –]a : velθur[ials].

Notes: The urn is of Chiusine production. The inscription was painted in red along the upper border of the cask.

Notes: The inscription was painted in red along the upper border of the cask.

Notes: The urn is of Chiusine production. The inscription was painted in red along the upper border of the cask.

Notes: The inscription was incised in dextroverse direction on the belly of the pitcher. The editor questions the authenticity of this text.

Notes: The inscription was incised along the inside rim of the neck of the pitcher.

Notes: The urn is of Chiusine production. The inscription was painted in red along the upper border of the cask and then it turns runs down along the left side. The editor suggests the following restoration of the text as one possibility: [l]θ[: la]uca[ne : la]ucumsnal : l ca[ i ]a : [pui]a :

Notes: The urn is of Chiusine production. The inscription was painted in red along the upper border of the cask. The editor notes that the praenomen of the deceased could also be restored as [h]aσti.

Notes: The form of the urn is Chiusine. The inscription was painted in red letters. The editor notes that personal name could also be haσti.

Notes: (a) was painted in black along the border of the cask of the urn. (b) was incised over it. The family name of the deceased in (a) could also be re[m]n[i]. The urn is of a type common at Chiusi.

Notes:

Notes:

Notes:

Notes: The inscription was painted in red letters along the upper border of the cask. The urn is a type common at Chiusi.

Notes: The inscription was painted in black letters along the upper border of the cask. Single punctuation points are visible, but their elevated position suggests that they were originally double points ( : ).

Notes: The inscription was painted in red letters along the upper border of the cask. The urn is a type common at Chiusi. The feminine gentilicium could be restored as f[r]a[u]nei.

Notes: The inscription was painted in red letters along the border of the cask. The urn is a type common at Chiusi.

Notes: The inscription was painted in black letters along the border of the cask. The urn is a type common at Chiusi.

Notes: The letters in this text are in dextroverse direction. Bibliography:

• Briquel, Dominique. 2006. A neglected Etruscan inscription. Etruscan News 5.5.

Notes: Bibliography:

• Bagnasco Gianni, Giovanna. 1996. Oggetti iscritti di epoca orientalizzante in Etruria, pg. 108, no. 84. Firenze: Leo S. Olschki.
• Briquel, Dominique. 1989. A propos d’une inscription redécouverte au Louvre: remarques sur la tradition relative a Mézence. REL 67.78-92.
• Gualtier, F. and Dominique Briquel. 1989. Réexamen d’une inscription des collections du Musée du Louvre: un Mézence à Caeré au VIIe siècle av.J-C. CRAI janvier-mars, 99-115.
• Gualtier, Françoise, J. Gran-Aymerich, and Dominique Briquel. 1991. SE 66, REE 73, 350-356.